design and sentimentality
Saturday, November 14, 2009 at 1:40PM 

I have always loved clean, modern design. When I had a bit more disposable income I used to spend my time browsing the SCP website for cutting edge design pieces. I must note at this point, that most of my lusting was in vain as my public sector salary didn’t quite meet my ‘collector of modern design’ aspirations. Despite this, when I did have a little bit extra to spend it was invariably on something clean and modern.
I have noticed a phenomenon amongst friends after they have their first child; they become Cath Kidston crazed. I think it might be a modern woman’s way of coping with the shock of early motherhood. It’s almost as if buying into the idea of a perfect 1950’s housewife will show the world that she’s coping just fine with her new role.
I know many people love Cath Kidston and I am partial to a bit of flowery chintz but this stuff is, in my view, more than a bit contrived and totally twee. I’ve definitely indulged in it, but I put this down to post partum hormones which bring on loony nesting instincts. Admittedly (I’m embarrassed to say), I do own a few Cath Kidston items; a few shopping bags (great for lugging child related paraphenalia), one quilt (hormonal looniness) and a sewing basket (a gift). I think there is something a bit novelty (and not in a good way) about design that replicates the past rather than uses the past as inspiration for something new.
Despite my hardline views on modernism, I’ve noticed a change in my tastes over the past few years. When I occasionally treat myself to an interiors magazine I find myself opting for The English Home rather than Living Etc, my old favourite. Could it be (nearly - I’m 34) middle age? Could it be that having children has made me sentimental afterall?
A recent trip back to my parent’s house highlighted to me how much I have changed. My maternal grandmother who is in her 90s and is in the final stages of alzheimer's disease passed on her wedding dinnerware to me and my mother was keen for me to take it back home. It is a combination of Rosedawn by Johnson Bros and Peach Petal by Grindley Pottery. I have since found that these feature regularly in a utility china group on flickr.
As I sorted through the box in the dark attic I remembered having many a Sunday roast on these plates. Suddenly the pink and peach seemed so appealing to me. The gentle design is so pretty and of it’s post-war age.
I found some of my paternal grandmother’s Belleek pottery too. I remember this jug and vase in her home as I was growing up and I always thought they were a bit over-the-top. Now, I find it is these pieces rather than the more discreet items that I want to bring into my home to remind me of her and my childhood visits to her house.


I’ve definitely softened. I now think that sentimentality can be a good thing when considering design... although I still won’t be buying into the Cath Kidston brand any time soon.
Aoife |
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